No 10 Velocity: Patterned and rapid right-hand passagework above repeated chord accompaniment. Some playing of countermelodies in the right.Įxpressive and lyrical writting. No 9 Matin Bell: frequent left-hand crossing over right. Needs a relatively large hand span No 7 Lullaby: Voicing of melody over accompaniment No 8 Agitato: Rapid alternation of 16ths between hands. They make a fine material to study prior to the preludes and walzes of Chopin No 1 Confidence: Excellent for teaching voicing of a melody within a single hand No 2 The Pearls: Primarily a study in right-hand scale playing No 3 The Shepherd's Return: Could serve as fine preparation to one of the easier Chopin waltzes No 4 The Gypsies: Appropriate for practising in playing chords No 5 The Spring: A miniature version of the Chopin Etude op25 no 1 No 6 Light-Hearted Maiden: A study in right-hand double notes. They are less difficult to the ones op105. Do you find this post useful? I'm no expert but this is what I have on them: op109: Composed as a sequel to op100 and dedicated to Heller. I have always been a big fan of Burgmuller's Opus 100, but I've never looked at the other two that are supposed to be in the same vein. I can't answer your question, but I've often wondered, and your post made me decide to go buy these (as soon as there is less snow on the ground, anyway). Do you find this post useful? If there is anyone out there who has used these studies, could you be kind enough to please explain what the point of these etudes might be? What kind of techniques etc do they aim at cultivating? Thank you in advance, H. I hope someone else will reply, too because I really know very little about them. Carl Philip Emmanuel est le second fils de Johann Sebastian. What I like about these etudes is that they're also very melodical they are much more than exercises.
No.2 has scales.Įach etude consentrates on a certain technical difficulty. I only know that the no.12 from op.109 is good for practising broken octaves and no.
0 kommentar(er)
